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How to Download and Use Keylight 1.2 for After Effects
If you need to key out the background in your footage, you might want to try Keylight 1.2, a powerful keying plugin for After Effects. Keylight 1.2 can help you create realistic and seamless composites by removing unwanted colors and preserving fine details. In this article, we will show you how to download and use Keylight 1.2 for After Effects.
What Is Keylight 1.2
Keylight 1.2 is a plugin for After Effects that allows you to key out any color from your footage using advanced algorithms and settings. Keylight 1.2 is based on the Academy Award-winning technology developed by The Foundry, a leading visual effects software company. Keylight 1.2 can handle complex scenes with multiple colors, shadows, reflections, spill, noise, and motion blur. Keylight 1.2 also offers various tools to refine your matte, such as edge color correction, despill, screen gain, screen balance, and more.
How to Download Keylight 1.2
Keylight 1.2 is available for download from The Foundry's website[^3^]. You will need to register for a free account and provide some basic information before you can access the download link. Keylight 1.2 is compatible with After Effects CS3 and later versions. You can choose between Windows or Mac versions depending on your operating system.
How to Use Keylight 1.2
Once you have downloaded and installed Keylight 1.2, you can find it in the Effects & Presets panel, under the Keying subfolder[^2^]. To apply it to your footage, just drag and drop it onto your layer in the timeline or composition window. You will see a new effect called Keylight (1.2) in the Effect Controls panel.
The first step to use Keylight 1.2 is to select the color you want to remove from your footage using the Eyedropper tool in the Screen Color setting[^2^]. This should be the background color behind your subject, such as green or blue. You can also use the Screen Colour Picker window to fine-tune your selection by adjusting the hue, saturation, and brightness sliders.
After selecting the screen color, you will see that it becomes transparent in your composition window, revealing a black background or any other layer below your footage. You can also toggle the View setting to see different modes of your keying result, such as Final Result, Screen Matte, Status, or Combined Matte[^2^]. These modes can help you check the quality of your key and identify any problems or artifacts.
The next step is to adjust the various settings in Keylight 1.2 to improve your key and matte[^2^]. Some of the most important settings are:
Screen Gain: This controls the brightness of the screen color. A higher value will make the screen color brighter and easier to remove, but it may also affect other colors in your footage.
Screen Balance: This controls the balance between red, green, and blue components of the screen color. A higher value will make the screen color more red or blue, while a lower value will make it more green or cyan.
Clip Black: This controls the threshold for clipping black pixels in your matte. A higher value will make more pixels black and transparent, while a lower value will make more pixels gray and semi-transparent.
Clip White: This controls the threshold for clipping white pixels in your matte. A lower value will make more pixels white and opaque, while a higher value will make more pixels gray and semi-transparent.
Screen Pre-blur: This applies a blur to the screen color before keying it out. This can help reduce noise and grain in your footage and create a smoother matte.
Screen Shrink/Grow: This shrinks or grows the matte around your subject by a specified number of pixels. This can help remove unwanted edges or gaps in your matte.
Edge Colour Correction: This applies a color correction aa16f39245