Radio Futura.(Discografia) .
Radio Futura.(Discografia) . ->>->>->> https://urlin.us/2tA3U9
Radio Futura.(Discografia) .
Radio Futura: A Discography of Spanish Rock
Radio Futura was a Spanish rock band that emerged in the late 1970s and achieved success in the 1980s and early 1990s. Their music combined influences from punk, new wave, pop, and Latin American rhythms. They are considered one of the most influential and innovative bands in the history of Spanish rock.
In this article, we will review their discography, which spans from their debut album Música Moderna in 1980 to their compilation album Tierra Para Bailar in 1991. We will also highlight some of their most popular songs and their impact on the Spanish music scene.
Música Moderna (1980)
This was the first album by Radio Futura, released by Hispavox in 1980. It was produced by Herminio Molero, the keyboardist of the band, who left shortly after. The album featured a mix of punk, rock, and synth-pop, with lyrics that reflected the social and political situation of Spain at the time. Some of the songs included "Divina", "Interferencias", and "Enamorado de la Moda Juvenil". The album received mixed reviews and did not sell well.
La Ley del Desierto / La Ley del Mar (1984)
This was the second album by Radio Futura, released by Ariola in 1984. It was a double album that consisted of two parts: La Ley del Desierto (The Law of the Desert) and La Ley del Mar (The Law of the Sea). The first part was more rock-oriented, while the second part was more pop-oriented. The album showed a more mature and diverse sound from the band, incorporating elements from reggae, funk, blues, and Latin music. Some of the songs included "Escuela de Calor", "La Estatua del JardÃn BotÃnico", and "Dance Ud.". The album was a commercial and critical success, becoming one of the best-selling albums in Spain in 1984.
De un PaÃs en Llamas (1985)
This was the third album by Radio Futura, released by Ariola in 1985. It was produced by Joe Dworniak, who had worked with artists like David Bowie and Peter Gabriel. The album featured a more polished and sophisticated sound from the band, with influences from soul, jazz, and world music. Some of the songs included "Han CaÃdo los Dos", "Semilla Negra", and "37 Grados". The album was another commercial and critical success, earning several awards and nominations.
La CanciÃn de Juan Perro (1987)
This was the fourth album by Radio Futura, released by Ariola in 1987. It was conceived as a concept album that told the story of Juan Perro, a fictional character created by Santiago AuserÃn, the lead singer of the band. The album explored themes like identity, memory, and culture, with references to Spanish literature, history, and folklore. The music was influenced by Cuban son, rockabilly, blues, and gospel. Some of the songs included "El Canto del Gallo", "Paseo con la Negra Flor", and "Annabel Lee". The album was widely acclaimed by critics and fans alike, being considered one of the best albums in Spanish rock history.
El Directo de Radio Futura â Escueladecalor (1989)
This was a live album by Radio Futura, released by Ariola in 1989. It was recorded during their tour in support of La CanciÃn de Juan Perro. The album captured the energy and charisma of the band on stage, performing some of their most emblematic songs as well as some covers of artists like Bob Dylan, Chuck Berry, and Elvis Presley. The album also included two new studio tracks: "CorazÃn de Tiza" and "No Tocarte". The album was a commercial success, reaching number one on the Spanish charts.
Veneno en la Piel (1990)
This was the fifth and final studio album by Radio Futura, released by Ariola in 1990. It was produced by Nigel Walker, 061ffe29dd